Direct painting has a very distinct drawing method the tingology. Direct painting needs to be done at a point where it can immediately show the black,Drawing Procedures of direct painting Articles gray, and white layout, as well as the overall color effects, before moving on. Direct painting must not skip the following steps.
To begin, outline the object with charcoal and then properly handle the rough sketch. For this, some artists mix cooked brown and a cool colour or ultramarine with turpentine to dilute directly on the canvas. Brown is an intermediary color and can easily be coordinated with other colors. After the work is completed, colors like ultramarine will have some broken lines and a special color effect.
Two, increase the tone. An approximation of fuel dilution and the object colour is a quick relaxation of the painting that creates a sense of total color. Note: The tone should have a stronger contrast than the final one. At this stage, the color shouldn't be too thick. The tone should be painted slightly brighter and ahead of the volume. With the constant depiction of grey, the "fire" color relationships are just right.
For a deeper depiction, after the turpentine has been diluted, apply thick pigments to the screen. If you can, extend the duration of your operation. The process should be carefully planned, and done in stages. As an example, if the face is drawn, the rest of the place should stay the same. Similarly, if the hand is painted, all other places except the hand will keep the background colour painted to increase the tone. Paint knife can be used to remove thick paints in areas not finished within a day. To avoid oil absorption, you can paint until they are almost dry. It is important to pay special attention to oil painting the thicker light colors, and the darker ones should be painted thinly.
After several finishes, oil paintings can have rich detail. Some details could have gone beyond the requirements. Adjust the overall relationship, remove unnecessary details to give the screen a real situation.
The painting materials of Western art have moved beyond the stage of hand-made painting with the development of modern industrial culture. Due to the rapid advancement of technology in the last 10 or 20 years, many new oil painting materials have never been seen before. All types of drying oils, quick-drying pigments and water paints are capable of producing a wide range of different base materials that are quick drying and tough. Variety of new materials have greatly enriched oil painting language. Painters can create anything they like, and only consider the best visual result.